Issues : Annotations in teaching copies
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b. 97
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composition: Op. 26 No 2, Polonaise in E♭ minor
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The change of dynamics from to was written by Chopin to FEJ. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Annotations in teaching copies , Authentic post-publication changes and variants , Annotations in FEJ |
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b. 137
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composition: Op. 26 No 2, Polonaise in E♭ minor
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As in bar 33, in the ninth chord in the L.H. at the beginning of the bar Chopin deleted F in the FES pupil's copy. The facilitation can be considered to be a variant for a small hand. category imprint: Source & stylistic information |
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b. 171
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composition: Op. 26 No 2, Polonaise in E♭ minor
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FES includes a cautionary next to c2 in the L.H. – most probably written with Chopin's hand. category imprint: Differences between sources issues: Annotations in teaching copies , Cautionary accidentals , Annotations in FES , Last key signature sign |
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b. 175
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composition: Op. 26 No 2, Polonaise in E♭ minor
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The entry in FES is certainly made with Chopin's hand. The addition in FEJ is slightly less characteristic, yet it most probably also comes from Chopin. In spite of that, according to us, the change of the dynamics of the ending is to be considered to be an authentic variant and not a definitive withdrawal from the original concept. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FES , Authentic post-publication changes and variants , Annotations in FEJ |
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b. 175
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composition: Op. 26 No 2, Polonaise in E♭ minor category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FES , Annotations in FEJ |
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