Issues : GE revisions
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b. 40
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composition: Op. 26 No 1, Polonaise in C♯ minor
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GE2 (→GE3→GE4→GE5) & EE2 added two crotchet rests in the bottom voice of the L.H. In this type of context Chopin would often omit rests, as the moment of playing the notes was clear thanks to the vertical alignment of notes. category imprint: Differences between sources issues: GE revisions |
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b. 42
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In A Chopin wrote an unjustified cautionary category imprint: Differences between sources issues: GE revisions , Cautionary accidentals |
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b. 43
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In GE2 (→GE3→GE4→GE5) the reviser combined all quavers in the L.H. with one beam, same as in the previous bars. category imprint: Differences between sources issues: GE revisions |
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b. 44
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The version of A (→FE1) – with g category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Errors of A , Authentic corrections of FE |
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b. 47
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The sign written by Chopin in A is in this context undoubtedly a reversed sign of long accent. Such signs are not very frequent in Chopin's autographs, yet they are always present next to a second (usually semi-tone) step upwards – introducing an expressively important note. The accent was correctly reproduced by the engraver of FE (→GE1). In GE2 (→GE3→GE4→GE5) the reviser included a common short accent, whereas in EE the sign was totally overlooked. category imprint: Differences between sources issues: Errors in EE , GE revisions |
next to g
1. The sign was removed in 
from before the 2nd quaver was moved over the first, almost certainly at Chopin's order. The sign was added also in 
