Issues : Authentic corrections of FE
b. 36
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The quintuplet on the 2nd and 3rd beat of the bar in A is the original version – in the proofreading of FE1 Chopin introduced a 3+2 rhythm, which was repeated in all further editions. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 36-37
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In bar 36 in A there are no accidentals, which is certainly Chopin's mistake – cf. analogous bar 11. The necessary accidentals were added in the proofreading of FE (→GE,EE), together with the cautionary sharps in bar 37. category imprint: Interpretations within context; Differences between sources issues: Cautionary accidentals , Omission of current key accidentals , Errors of A , Authentic corrections of FE |
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b. 37
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The slur was added by Chopin in the proofreading of FE1. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 38
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The beginning of the D major section is rich in deletions in A. They suggest, i.a., that Chopin started writing notes without having marked the change of key (the deleted f2 minim among the key signature on the top stave) and that he added dots on the right hand side of the repetition sign later (deletion of braces, directing the repetition sign backwards). category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Authentic corrections of FE |
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b. 43
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composition: Op. 26 No 1, Polonaise in C♯ minor
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A features a g-a-e1 triad as the 3rd quaver in the L.H. Chopin removed a in the proofreading of FE1. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |