Rhythm
b. 50
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In the proofreading of FE1 Chopin shortened the 4th note in the top voice to a quaver. A respective correction—unfinished—is also included in analogous bar 82. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 51
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In the proofreading of FE1 Chopin shortened the 1st note in the top voice to a quaver. A respective correction is also included in analogous bar 83. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 52
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composition: Op. 26 No 1, Polonaise in C♯ minor
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A does not include a tie combining both a1 at the beginning of this bar. Chopin completed this defect in FED and in analogous bar 84 in the proofreading of FE1. The fact of leaving this bar without correction is to be considered Chopin's oversight. A tie was added also by the revisers of GE2 (→GE3→GE4→GE5) & EE2, most probably while comparing two bars. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , EE revisions , Annotations in FED , Omitted correction of an analogous place |
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b. 61
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The change of the rhythm introduced in the proofreading of FE1 includes all features of a Chopin improvement. category imprint: Differences between sources |
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b. 82
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In FE (→GE,EE) the apparently unclear slur is almost certainly a tie sustaining f2, left erroneously by the engraver – see bar 50. The mistake was corrected in GE2 (→GE3→GE4→GE5). category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Errors in EE , Errors in GE , Authentic corrections of FE |