Articulation, Accents, Hairpins
b. 16-19
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The absence of the staccato dot in A for G1 in the L.H. in bar 16 is to be considered to be Chopin's oversight - the dots are present in similar bars 14 and 18. Chopin did not correct the mistake in the proofreading of FE, moreover, in FE (→EE) the engravers overlooked also a dot in bar 19, which in A is written in an abbreviated manner, with a repetition sign of the previous bar. In GE1 the sign was placed only in bar 14. A revision was performed respectively in GE2 (→GE3), validly adding dots in all analogous places. category imprint: Differences between sources issues: Errors in FE , Errors in EE , Errors in GE , Errors of A |
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b. 20
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composition: Op. 26 No 1, Polonaise in C♯ minor
category imprint: Differences between sources issues: Long accents , Inaccuracies in FE |
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b. 20
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composition: Op. 26 No 1, Polonaise in C♯ minor
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FE (→GE,EE) overlooked the staccato dot for the D1-D octave in the L.H. The engraver's oversight was certainly caused by the unclear notation of A, in which Chopin introduced some of the dots in a very delicate manner and at the same time not directly under the note (moved to the left or to the right) and additionally merging with the pedalling signs. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies , Inaccuracies in A |
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b. 22
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The absence of the staccato dot for the 1st quaver in all editions is undoubtedly an oversight of the engraver, resulting from the inaccuracy of notation of A. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies , Inaccuracies in A |
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b. 30
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The absence of wedge over c is most probably an oversight of the engraver of GE1. category imprint: Differences between sources issues: Errors in GE |