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Op. 26 No 1, Polonaise in C♯ minor

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Issues : GE revisions

b. 5-19

composition: Op. 26 No 1, Polonaise in C♯ minor

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In the entire Polonaise GE2 (→GE3→GE4→GE5) arbitrarily changed the characteristic for Chopin  indication to  (hardly ever used by the composer) – on this page in bars 5 and 18-19.

category imprint: Differences between sources

issues: GE revisions

b. 6

composition: Op. 26 No 1, Polonaise in C♯ minor

 in A (→FE→GE1, first time)

 in FE (→GE1), first time & in GE2 (→GE3→GE4→GE5)

 in EE
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The sources differ in the range of  hairpins. Taking into account various possibilities of interpretation of the not too carefully written signs in A (also in analogous bar 31) and a possibility of Chopin proofreading of FE (at the reappearance of this bar in the written repetition of bars 1-12), all three variants of the range of this sign can be considered to be potentially corresponding to Chopin's intention. In the main text we give the most possible interpretation of the hairpins of A.

category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources

issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , Scope of dynamic hairpins , GE revisions , Inaccuracies in A

b. 7

composition: Op. 26 No 1, Polonaise in C♯ minor

No staccato dot in FE (→EE) & GE2 (→GE3→GE4→GE5)

Staccato dot in A & GE1
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The missing staccato dot in FE, placed in A over the 1st quaver of the triplet, can be a result of Chopin's proofreading. The appearance of the dot in GE1 may be explained with the engraver's distraction, whereas a relevant correction was introduced in GE2 (→GE3→GE4→GE5).

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions , Authentic corrections of FE

b. 7

composition: Op. 26 No 1, Polonaise in C♯ minor

Quaver in A

Crotchet in FE (→GE1,EE), 1st instance only

Crotchet in GE2 (→GE3→GE4→GE5)
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Chopin added a crotchet stem in the L.H. to the g quaver in the proofreading of FE1. The absence of this correction in the analogous bar in the written repetition in the editions most probably results from Chopin's oversight. We directly include this minor improvement in the main text, which corresponds to both analogous bars in the first editions. An addition was respectively performed in the bar being a repetition of bar 7 also in GE2 (→GE3→GE4→GE5).

category imprint: Differences between sources; Corrections & alterations

issues: Errors in FE , Errors in EE , Errors in GE , GE revisions , Accompaniment changes , Authentic corrections of FE , Omitted correction of an analogous place

b. 7

composition: Op. 26 No 1, Polonaise in C♯ minor

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GE4 (→GE5) arbitrarily added cautionary  for e in the L.H. (only the first time) and e2 in the R.H. (in both situations).

category imprint: Differences between sources

issues: GE revisions