![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Errors in GE
b. 12
|
composition: Op. 26 No 1, Polonaise in C♯ minor
..
The c category imprint: Differences between sources issues: Errors in FE , Inaccuracies in GE , Errors in EE , Errors in GE |
|||||||||
b. 13-17
|
composition: Op. 26 No 1, Polonaise in C♯ minor
..
In A Chopin most probably introduced a staccato dot for the 1st quaver in the L.H. in bar 13 and certainly in bar 17. Both signs were included in FE. As bar 15 is generally a repetition of bar 13, the absence of the dot in the analogous place can be considered Chopin's oversight. In turn, as a result of an unquestionable oversight of the engraver, in GE1 there is no dot in bar 17 – the sign was already in FE. To the main text we adopt the complete articulation of GE2 (→GE3→GE4→GE5). category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Errors in GE , GE revisions , Inaccuracies in A |
|||||||||
b. 16-19
|
composition: Op. 26 No 1, Polonaise in C♯ minor
..
The absence of the staccato dot in A for G category imprint: Differences between sources issues: Errors in FE , Errors in EE , Errors in GE , Errors of A |
|||||||||
b. 18-19
|
composition: Op. 26 No 1, Polonaise in C♯ minor
..
GE2 (→GE3→GE4→GE5) arbitrarily changed Chopin category imprint: Differences between sources issues: Errors in GE , GE revisions |
|||||||||
b. 19
|
composition: Op. 26 No 1, Polonaise in C♯ minor
..
In GE2 the engraver overlooked the stem for e in the L.H. - only the note head was printed. In turn, in GE3 the reviser erroneously added this note to the a category imprint: Differences between sources issues: Errors in GE , GE revisions |