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Issues : Errors in FE
b. 29
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The oversight of
In the main text we remove the unnecessary category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Errors in FE , Errors in EE , Errors in GE , Authentic corrections of FE , Inaccuracies in A |
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b. 37
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In FE (→GE1,EE) the engraver overlooked the slur for the R.H. The overlooked slur was added by the reviser of GE2 (→GE3→GE4→GE5), probably after the notation in analogous bar 12. category imprint: Differences between sources issues: Errors in FE , GE revisions |
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b. 38
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The lack of slur to the bottom voice of the R.H. is almost certainly an arbitrary decision of the engraver of FE1, who, aiming at a faithful reproduction of the graphic layout of A (the dots and slur over the notes, between the R.H. voices), was not able to fit the slur in a legible manner. category imprint: Differences between sources issues: Errors in FE |
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b. 39
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In A Chopin undoubtedly overlooked the category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Errors in FE , Errors in EE , Errors in GE , GE revisions , Errors of A , Last key signature sign |
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b. 44
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The undoubtedly long accent, written by Chopin in A, was overlooked by the engraver of FE. In GE2 (→GE3→GE4→GE5) a short accent was added, most probably after analogous notation in bar 76. category imprint: Differences between sources issues: Errors in FE , Errors in EE , Errors in GE |