Issues : EE revisions
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b. 30
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composition: Op. 26 No 1, Polonaise in C♯ minor category imprint: Differences between sources issues: EE revisions |
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b. 45
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In the proofreading of FE1 Chopin removed the ties sustaining c3 and b2 in the top voice of the R.H. The tie of c3 in EE is most probably an action of the reviser. Cf. bar 77. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of FE |
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b. 52
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composition: Op. 26 No 1, Polonaise in C♯ minor
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A does not include a tie combining both a1 at the beginning of this bar. Chopin completed this defect in FED and in analogous bar 84 in the proofreading of FE1. The fact of leaving this bar without correction is to be considered Chopin's oversight. A tie was added also by the revisers of GE2 (→GE3→GE4→GE5) & EE2, most probably while comparing two bars. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , EE revisions , Annotations in FED , Omitted correction of an analogous place |
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b. 60
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In FE (→GE1,EE1) the is before the top quaver of the bottom voice. This patent error could have been caused by the inaccurate notation of A, although the sign in bar 58, where FE did not commit a mistake, is even more misleading. The remaining editions have the correct text. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Inaccuracies in A |
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b. 69
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In FEJ Chopin deleted e1 in pencil in two last chords and added the fingering. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A |
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