FE1
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German Edition
GE3 - Third German edition
GE4 - Revised impression of GE3
GE5 - Corrected reprint of GE4
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
compare
  b. 4-6

In bar 6, opening a new line of the text in A (→FEGE), Chopin wrote new  hairpins. However, the range of both this sign and of the previous one (in bar 5) clearly indicates the intention of a continuous crescendo in both bars. This is how it was reproduced in the editions in the written repetition of these bars (in EE the unambiguous notation was used already in the first appearance of this fragment). Taking into account the fact that in our transcriptions bars 5-6 are in one line of the text, we use one  sign, as the seemingly literal interpretation of both signs in such a graphical layout would have changed its sense to a much greater extent.

Compare the passage in the sources »

See b. 1-12

category imprint: Interpretations within context; Differences between sources

issues: Hairpins denoting continuation

notation: Articulation, Accents, Hairpins

Go to the music

.