b. 83
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In FE (→GE1,EE1) the engraver overlooked the rest with fermata for the bottom voice of the R.H. The signs were added – most probably after comparison with bar 53 – in GE2 (→GE3→GE4→GE5) and EE2. category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 84
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composition: Op. 26 No 1, Polonaise in C♯ minor
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A does not include a tie combining both a1 at the beginning of the bar. Chopin completed this deficiency in the proofreading of FE1, at the same time overlooking a respective correction in analogous bar 52. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 84-85
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In A the first quaver in bar 84 is an A1, whereas in bar 85 - A. Chopin swapped them in the proofreading of FE1. The composer performed a similar correction also for bars 52 and 53. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 84-85
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In FE (→GE1,EE) the engravers overlooked the staccato dots for the 1st quavers in the L.H. in bars 84 and 85. The revisers of GE2 added the overlooked signs, most probably after comparison with analogous bars 52 and 53. In GE3 (→GE4→GE5) the engraver overlooked only one dot – for the quaver in bar 84. category imprint: Differences between sources issues: Errors in FE , Errors in EE , Errors in GE , GE revisions |
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b. 84-85
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composition: Op. 26 No 1, Polonaise in C♯ minor
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Differently than in analogous bars 52-53, the engraver of FE inserted here two slurs - the first in bar 84 and the second in bar 85. GE2 (→GE3→GE4→GE5) includes one phrasing slur for the last two bars, which is most probably a result of the reviser having compared the notation in analogous bars 52-53. category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions , EE inaccuracies |