mUltimate Chopin

Op. 10 No 4, Etude in C♯ minor

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Page: 
Source: 
p. 1, b. 1-12
p. 1, b. 1-12
p. 2, b. 13-26
p. 3, b. 27-38
p. 4, b. 39-50
p. 5, b. 51-65
p. 6, b. 66-82
Main text
Main text
AI - Working autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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No differences
AI - Working autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 11

No signs in AI & FE (→GE1,EE2)

Three arpeggio signs in GE1a (→GE2→GE3→GE4→GE5) & EE4

Arpeggio sign in EE3

According to us, arpeggio performance of the tenth chords stands beyond any doubt – it is proved by Chopin sign in bar 3, left almost certainly as a general indication concerning all analogous situations.

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, GE revisions

notation: Ornaments

Missing markers on sources: AI, FE1, FE2, FED, FEJ, FES, GE1a, GE2, GE3, GE4, GE5, EE2, EE3, EE4, GE1
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