Ornaments
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b. 3
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composition: Op. 10 No 4, Etude in C♯ minor
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Lack of the arpeggio mark in FE (→EE2→EE3) may be explained with the correction of the part of the L.H., performed by Chopin in FE1 (see the adjacent note). Chopin, involved in changes in the structure and content of the chords, probably did not think of careful indication of their performance, considering arpeggios of such a broad chord to be obvious. Similarly in bars 11, 53 and 61. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 3
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composition: Op. 10 No 4, Etude in C♯ minor
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The arpeggio mark before the first tenth chord of the Etude is, according to us, to be understood as a general indication, concerning all analogous situations (bars 11, 53 and 61). See also the next note. category imprint: Differences between sources |
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b. 11
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composition: Op. 10 No 4, Etude in C♯ minor
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According to us, arpeggio performance of the tenth chords stands beyond any doubt – it is proved by Chopin sign in bar 3, left almost certainly as a general indication concerning all analogous situations. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
