mUltimate Chopin

Op. 10 No 4, Etude in C♯ minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 6, b. 66-82
p. 1, b. 1-12
p. 2, b. 13-26
p. 3, b. 27-38
p. 4, b. 39-50
p. 5, b. 51-65
p. 6, b. 66-82
Main text
Main text
AI - Working autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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Pitch
Rhythm
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Articulation, Accents, Hairpins
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Pedalling
Fingering
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Differences
No differences
AI - Working autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 71-73

No fingering in AI & FE (→GE)

Fingering written into FED

Fingering in EE

In the main text we give the fingering written in bar 72 in FED. In EE Fontana added significantly more indications, also in the L.H., however, he never indicated the fingering for the 2nd and 3rd notes of four-note figures in the R.H. Therefore, it seems that despite there being no formal discrepancies between Chopin's class entry and Fontana's fingering, in fact he had a different fingering in mind in this place (121).

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions

notation: Fingering

Missing markers on sources: AI, FE1, FE2, FED, FEJ, FES, GE1a, GE2, GE3, GE4, GE5, EE2, EE3, EE4, GE1
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