Shorthand & other
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b. 14
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composition: Op. 10 No 4, Etude in C♯ minor
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In AI the part of the L.H. in this bar is marked in this bar as repetition of bar 13. category imprint: Source & stylistic information |
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b. 21-26
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composition: Op. 10 No 4, Etude in C♯ minor
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It is hard to determine whether it was Chopin that introduced the change of key marking – in [A] or proofreading FE – or it was a result of the engraver's error. The error is justified with flats before g category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 34
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composition: Op. 10 No 4, Etude in C♯ minor
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In AI only the first group of semiquavers is written out. The remaining ones are marked only as its repetition. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 37-38
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composition: Op. 10 No 4, Etude in C♯ minor
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In AI the last group of semiquavers in bar 37 and last three in bar 38 are not written out with notes and only marked as repetition of the previous ones. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 49
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composition: Op. 10 No 4, Etude in C♯ minor
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In AI this bar is briefly marked as repetition of the previous one, while in the part of the R.H. there is a last, different group of semiquavers. category imprint: Differences between sources issues: Abbreviated notation of A |
in bar 24 and g