Issues : EE revisions

b. 31

composition: Op. 10 No 4, Etude in C♯ minor

No fingering in AI & FE (→GE)

Fingering in EE

..

The fingering, added in EE by Fontana, corresponds to the rhythm of changes of the hand's position, indicated by Chopin for the L.H.

category imprint: Differences between sources

issues: EE revisions

b. 35-37

composition: Op. 10 No 4, Etude in C♯ minor

No fingering in AI & FE (→GE)

Fingering written into FES

Fingering in EE

..

In the main text we give the fingering originating from Chopin written in FES. The more detailed indications added by Fontana in EE point to a different fingering.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FES

b. 38

composition: Op. 10 No 4, Etude in C♯ minor

No slur in AI & FE (→EE2)

Slur in GE

EE3 (→EE4)

..

In this case, the missing slur seems to be an inaccuracy of the notation of AI and FE (→EE2) – cf. the analogous slur in bars 34-35. The notation of bar 38 shows a number of possible potential inaccuracies of FE in the indications of dynamic nature (cf. the notes on the  hairpins and the accent).

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 39-40

composition: Op. 10 No 4, Etude in C♯ minor

No fingering in AI & FE (→GE)

Fingering in EE

..

The fingering added in EE comes from Fontana.

category imprint: Differences between sources

issues: EE revisions

b. 41-42

composition: Op. 10 No 4, Etude in C♯ minor

No fingering in AI & FE (→GE)

Fingering in EE

..

The fingering added in EE comes from Fontana.

category imprint: Differences between sources

issues: EE revisions