GE5
Main text
AI - Working autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
compare
  b. 25-26

No marks in AI

Wedge & dot in FE (→EE)

Three dots in GE1 (→GE1a)

L.H. dot in GE2 (→GE3GE4GE5)

Wedges suggested by the editors

The octave in the R.H. is provided in FE (→EE) with a wedge in bar 25 and with a dot in bar 26. It is probably a result of misunderstanding of the notation of [A] (perhaps inaccurate). In GE1 (→GE1a) in both places there are dots, moreover, a dot was added – most probably by mistake – also over the octave in the L.H. It is hard to assume whether the omission of the signs in the R.H. in the subsequent GE is a result of a revision or of a mistake.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: Inaccuracies in FE, Errors in GE, Wedges

notation: Articulation, Accents, Hairpins

Go to the music

Original in: Zbiory prywatne (kolekcja J. Ekiera), Warszawa