Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 10 No 4, Etude in C♯ minor
Renouncement of the b
semiquaver in the final version finalises the changes whose trace is visible in the deletions of AI:
- originally, the passage in the R.H. started with an a1, while the remaining elements of the ninth chord were in the part of the L.H.;
-
starting the passage with b1 caused a doubled third of the dominant chord, which Chopin did not like and which he eventually avoided by deleting b.
The four bottom notes of the chord of AI are written as semibreves.
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations
notation: Pitch
