Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 10 No 4, Etude in C♯ minor
In AI, in a section starting from bar 17 Chopin marked the staccato dots over the quavers only in the first bar. It certainly means that all subsequent quavers are also supposed to be performed with such articulation, as it was explicitly indicated in FE (→GE,EE).
Compare the passage in the sources »
category imprint: Differences between sources
notation: Articulation, Accents, Hairpins
