Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 10 No 4, Etude in C♯ minor
In the main text we give the rhythm of FE (→EE), which probably represents the latest intention of Chopin, written in [A] or introduced in a proofreading of FE. The composer could have wanted to reinforce the return of the initial fragment of the piece (cf. the note on the accent). The dynamic and rhythmic motif of the last accentuated crotchet of the bar is one of the most characteristic sound phenomena of the Etude.
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations
issues: Authentic corrections of FE
notation: Rhythm
