Main text
Main text
AI - Working autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
compare
  b. 1

in AI

in FE (→GE,EE)

We give the time signature marking after AI, although theoretically, Chopin could have introduced  in the lost [A]. According to us, it is, however, much more likely that it was an arbitrary change of the engraver of FE (→GE,EE), who did not use the  marking in the Etudes​ – contrary to the manuscripts – even once, cf. the Etudes in C major, No. 1, F major, No. 8 and C minor, No. 12. The phenomenon is also present in other pieces, even in the most obvious cases, e.g., in the Etudes in F minor, Op. 25 No. 2, D major, Op. 25 No. 8 or F minor, Dbop. 36 No. 1. 

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE, 4/4 or 2/2

notation: Rhythm

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