Issues : Errors in FE
b. 54
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composition: Op. 10 No 10, Etude in A♭ major
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Omission of the mark in FE (→GE1,EE) and the mark in EE is probably a result of the engravers' oversights. The pedal release asterisk was added – according to the harmonic sense – in GE2 (→GE3→GE4). category imprint: Differences between sources issues: Errors in FE , Errors in EE , GE revisions |
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b. 56
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composition: Op. 10 No 10, Etude in A♭ major
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Lack of the mark in FE (→GE,EE) is probably a result of the engraver's oversight. In the main text we consider the mark written by Chopin in A and suggest an explanation, specifying its meaning in this context. category imprint: Differences between sources; Editorial revisions issues: Errors in FE , No pedal release mark |
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b. 66
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composition: Op. 10 No 10, Etude in A♭ major
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Initially, the erroneous version of GE – with g1 – was also in FE, in which, however, this g1 was changed to b1 in the last proofreading. category imprint: Differences between sources issues: Errors in FE , Terzverschreibung error , Authentic corrections of FE |
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b. 67
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composition: Op. 10 No 10, Etude in A♭ major
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Lack of the flat lowering c1 to c1 in the 2nd half of the bar in FE (→GE,EE) is probably an oversight of the engraver, who could have confused this bar with bar 65. category imprint: Differences between sources issues: Errors in FE |
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b. 75-76
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composition: Op. 10 No 10, Etude in A♭ major
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According to us, both slurs written in A are too short. Their absence in the editions is probably a result of an oversight of the engraver of FE (it cannot be excluded that he omitted them, not being certain of their range). category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , Inaccurate slurs in A |