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Issues : GE revisions
b. 18
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composition: Op. 10 No 10, Etude in A♭ major category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 23
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composition: Op. 10 No 10, Etude in A♭ major
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Lack of accidentals before the 5th pair of quavers in A (→FE→EE3) means that Chopin forgot to put either a
The revisers of GE and EE4 added a category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Errors of A |
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b. 32-34
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composition: Op. 10 No 10, Etude in A♭ major
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In FE (→GE,EE) these bars – same as bars 29-31 – are written with four sharp key signatures, as a result of which in each bar d notes must be provided with accidental naturals. In FE the category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions , Authentic corrections of FE |
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b. 35
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composition: Op. 10 No 10, Etude in A♭ major
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Lack of accidentals before the 5th pair of quavers in A means that Chopin either forgot to put a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration , GE revisions , Errors of A , Authentic corrections of FE |
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b. 37-38
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composition: Op. 10 No 10, Etude in A♭ major
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The notation of accidentals in these bars is very careless in A, although it does not lead to textual doubts. In bar 37 Chopin omitted the flats before the 1st (g category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Errors of A , Authentic corrections of FE |