Pedalling
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b. 42-43
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composition: Op. 10 No 10, Etude in A♭ major
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Lack of the pedal release mark depressed in the middle of bar 42 must be considered as the notation's inaccuracy in this context. The mark was added in EE and GE2 (→GE3→GE4) at the end of bar 42, which is undoubtedly justified with similar indications in the previous bars. We suggest a completion after the notation of A at the beginning of bar 44. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Authentic corrections of FE , No pedal release mark |
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b. 49
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composition: Op. 10 No 10, Etude in A♭ major
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In A the pedalling ends on the mark at the beginning of this bar. The mark added in FE (→GE,EE) is probably a result of Chopin's proofreading. category imprint: Differences between sources |
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b. 54
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composition: Op. 10 No 10, Etude in A♭ major
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Omission of the mark in FE (→GE1,EE) and the mark in EE is probably a result of the engravers' oversights. The pedal release asterisk was added – according to the harmonic sense – in GE2 (→GE3→GE4). category imprint: Differences between sources issues: Errors in FE , Errors in EE , GE revisions |
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b. 56
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composition: Op. 10 No 10, Etude in A♭ major
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Lack of the mark in FE (→GE,EE) is probably a result of the engraver's oversight. In the main text we consider the mark written by Chopin in A and suggest an explanation, specifying its meaning in this context. category imprint: Differences between sources; Editorial revisions issues: Errors in FE , No pedal release mark |
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b. 61
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composition: Op. 10 No 10, Etude in A♭ major
category imprint: Differences between sources issues: Authentic corrections of FE |
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