



b. 39-42
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composition: Op. 10 No 10, Etude in A♭ major
category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 39
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composition: Op. 10 No 10, Etude in A♭ major
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The f1 quaver written in A was changed to a category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 39
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composition: Op. 10 No 10, Etude in A♭ major
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Despite the fact that the a category imprint: Interpretations within context; Differences between sources issues: Terzverschreibung error , Errors in the number of ledger lines , Errors of A , Authentic corrections of FE |
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b. 40
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composition: Op. 10 No 10, Etude in A♭ major
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In A (→FE) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Errors of A |
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b. 41-42
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composition: Op. 10 No 10, Etude in A♭ major
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Different arrangement of the accents in FE (→GE,EE) is most probably a result of Chopin's intervention, although it is uncertain whether the composer moved the more or less accurately reproduced accents of A or only added – in another place – the marks omitted by the engraver. category imprint: Differences between sources issues: Long accents , Authentic corrections of FE |