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Op. 24 No. 1, Mazurka in G minor

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Rhythm

b. 15

composition: Op. 24 No. 1, Mazurka in G minor

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In A, Chopin changed the initial rhythm  to two equal quavers.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A

b. 19

composition: Op. 24 No. 1, Mazurka in G minor

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We add the numeral for the triplet; this detail was already supplemented in EE and GE2 (→GE3).

category imprint: Editorial revisions

issues: EE revisions , GE revisions

b. 27

composition: Op. 24 No. 1, Mazurka in G minor

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We add the numeral for the triplet; it was already supplemented in FE (→EE) and GE2 (→GE3).

category imprint: Editorial revisions

issues: GE revisions , FE revisions

b. 32-33

composition: Op. 24 No. 1, Mazurka in G minor

A double bar line in A and GE2 (→GE3)

A single bar line in  GE1 (→FE→EE)
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In A, the next part of the Mazurka is notated after a double bar line. That detail was not included in GE1 (→FE→EE), but restored in GE2 (→GE3).

category imprint: Differences between sources

issues: GE revisions

b. 33

composition: Op. 24 No. 1, Mazurka in G minor

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In A, the notation of the rhythm of the first beat of the bar reveals the correction introduced by Chopin: the semiquaver rest is written in such a manner so as to conceal earlier dots extending the a flat1-c2 quaver. Chopin probably made a similar change also in bars 36 and 44.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A