Issues : Inaccuracies in FE
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b. 17-18
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composition: Op. 24 No. 1, Mazurka in G minor
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The clear notation of A was distorted by the omission of the accent in bar 18 in GE1 (→FE→EE1) and changes of accent shapes in FE (→EE) and GE2 (→GE3). category imprint: Differences between sources issues: Long accents , EE revisions , Inaccuracies in FE , GE revisions |
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b. 19-27
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composition: Op. 24 No. 1, Mazurka in G minor
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Both bass notes F in bars 19 and 27 have staccato dots in A. The notation of this detail was distorted in the first editions: a dot from bar 19 was omitted in GE1 (→FE→EE), and dots from bar 27 disappeared in FE (→EE). Cf. bars 17-29. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions |
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b. 21
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composition: Op. 24 No. 1, Mazurka in G minor
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The that can be seen in A (→GE) was most probably omitted in FE (→EE1) and supplemented in EE3 on the basis of GE or by analogy with bars 17, 25 and 29. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE |
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b. 23
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composition: Op. 24 No. 1, Mazurka in G minor
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The long accent of A was reproduced in GE as a short one. The absence of any sign in FE (→EE1) is probably an accidental omission. The (short) accent was restored in EE3. category imprint: Differences between sources issues: Long accents , EE revisions , Inaccuracies in GE , Inaccuracies in FE |
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b. 25-30
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composition: Op. 24 No. 1, Mazurka in G minor
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The type of the accents over the four triplets in bars 25-26 and 29-30 is unclear in A. On the one hand, they are not much longer than some other, undoubtedly short, accents and therefore were read as short accents in GE (→FE→EE). On the other hand, they do not much differ from the long accents in analogous bars 17-18 & 21-22. In this situation we consider the uniform marking of all those places to be more likely. category imprint: Graphic ambiguousness issues: Long accents , EE revisions , Inaccuracies in FE |
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