Shorthand & other
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b. 5-6
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composition: Op. 10 No 9, Etude in F minor
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In bar 5 and in the 1st half of bar 6, in AI, instead of part of the L.H., there is come sopra, which, in this context, undoubtedly refers to bars 1-2 and means repetition of the notation of the first three groups of semiquavers. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 7-16
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composition: Op. 10 No 9, Etude in F minor
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In AI the 2nd halves of bars 7, 8 and 16 were briefly marked with the // sign. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 9-15
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composition: Op. 10 No 9, Etude in F minor
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In AI bar 8 is marked as 1ma [volta], after which bar 16 follows, marked as 2[da volta]. However, after bar 8, instead of the expected repeat sign, there is a double bar line. In spite of this inaccuracy, there is no doubt that bars 9-15 are meant to be repetition of bars 1-7. A double bar line appears also after bar 16. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 30-32
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composition: Op. 10 No 9, Etude in F minor
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In AI the part of the L.H. in bars 30 and 32 is briefly marked as repetition of bars 29 and 31. Similarly in bars 34-36. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 34-36
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composition: Op. 10 No 9, Etude in F minor
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In AI the part of the L.H. in bars 34 and 36 is briefly marked as repetition of bars 33 and 35, same as in bars 30-32. category imprint: Source & stylistic information issues: Abbreviated notation of A |