Issues : Authentic corrections of FE

b. 48

composition: Op. 10 No 9, Etude in F minor

No marking in AI & A

 in FE (→GE,EE)

..

 was added by Chopin during a proofreading of FE. Similarly in bar 56.

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 49-50

composition: Op. 10 No 9, Etude in F minor

No pedalling in AI & A

Pedalling in FE (→GE,EE)

..

Chopin added pedalling in these bars in a proofreading of FE (→GE,EE). See also bars 51-64.

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 50

composition: Op. 10 No 9, Etude in F minor

Fingering in FE (→GE)

category imprint: Differences between sources

issues: EE revisions , Authentic corrections of FE

b. 51-53

composition: Op. 10 No 9, Etude in F minor

No fingering in AI & A

Fingering in FE (→GE)

..

Chopin added the fingering while proofreading FE (→GE). In EE Fontana completed it in bars 51 and 53. The digit added at the end of bar 51 does not stem from Chopin's indications.

category imprint: Differences between sources

issues: EE revisions , Authentic corrections of FE

b. 51-64

composition: Op. 10 No 9, Etude in F minor

No pedalling in AI & A

Pedalling in FE (→GE,EE)

..

All pedalling in these bars was added by Chopin in a proofreading of FE (→GE,EE). See also bars 64-65.

category imprint: Differences between sources

issues: Authentic corrections of FE