Issues : Authentic corrections of FE
b. 33-34
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composition: Op. 10 No 9, Etude in F minor category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 37-48
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composition: Op. 10 No 9, Etude in F minor
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In bars 37, 45 and 48 Chopin added '4' digits in a proofreading of FE (→GE), resembling the basic fingering scheme of the Etude. In EE Chopin's hints were completed in bars 37-45, adding 18 fours under c notes. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 38-39
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composition: Op. 10 No 9, Etude in F minor
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The mordents were added by Chopin in a proofreading of FE (→GE,EE). It is a part of a wider proofreading of the mordents' use in the theme of the Etude. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 42
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composition: Op. 10 No 9, Etude in F minor
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Chopin deleted the double grace note written in A – equal to a mordent – while proofreading FE (→GE,EE). category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 44
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composition: Op. 10 No 9, Etude in F minor
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Doubled hairpins in FE (→GE1,EE) may be explained with Chopin's proofreading of an inaccurately arranged mark: at the beginning the engraver arranged too low, so it seems that it refers to the L.H., which Chopin corrected by adding the 2nd mark over the R.H. The change is of an ad hoc nature, hence in the main text we give the version of A. The correct notation was also guessed in subsequent GE,s. category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions , Authentic corrections of FE |