Main text
Main text
AI - Working autograph
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
compare
  b. 19-20

No markings in AI

 &  in A, literal reading

FE (→GE,EE)

The scope of the  mark's validity is not entirely clear in A. It most probably concerns the entire bar, as it was understood in FE (→GE,EE), however, it cannot be excluded that Chopin wanted to suggest here a separation of the motif beginning from the 2nd quaver in the bar – cf. bars 23-24.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Inaccuracies in FE, Centrally placed marks

notation: Verbal indications

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