FE1
Main text
AI - Working autograph
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
compare
  b. 2-4

Slur in AI

A

FE (→GE1), possible interpretation

GE2 (→GE3GE4) & EE

Neither in A nor in FE are the slurs in these bars precise. The slur of A gradually fades due to the ending ink, hence it is uncertain where it was supposed to end, according to Chopin. In FE (→GE1) the doubt concerns the transition to the new line between bars 2 and 3 – the slur in bar 2 suggests continuation (in accordance with A), which is, however, not confirmed by the new slur in bar 3. Although the slur in AI is legible, in this manuscript, the slurs generally seem to be written very randomly, without the intention of creating a coherent, complete image of phrasing or articulation (convergence with the 2nd slur of FE is most probably coincidental). According to us, there is no reason to think that the slurring here could differ from analogous indications in bars 10-12, embraced with one slur both in A and in the editions. Cf. bar 47.

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions, Inaccuracies in FE, Inaccurate slurs in A, GE revisions, Authentic corrections of FE

notation: Slurs

Go to the music

Original in: Bibliothèque Nationale de France, Paris