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p. 6, b. 112-140
p. 1, b. 1-30
p. 2, b. 31-52
p. 3, b. 53-67
p. 4, b. 68-82
p. 5, b. 83-111
p. 6, b. 112-140
p. 7, b. 141-155
p. 8, b. 156-171
p. 9, b. 172-186
p. 10, b. 187-204
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FEJ - Jędrzejewicz copy
FED - Dubois copy
FES - Stirling copy
GE - German edition
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GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
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GC - Gutmann's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FE3 - Corrected impression of FE2
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  b. 116-117

2 ties in A & FE3

3 ties in GC (→GE)

No ties in FE1 (→FE2) & EE

The additional tie to d1 results either from a mistake, or from an unconsidered revision by the copyist in GC (→GE) – that note belongs to the first theme of the Ballade, and of course must be played. The lack of ties in FE1 (→FE2) and EE is probably due to the misunderstanding of A. In FE3 the ties were most probably added by a reviser on the basis of A, although we cannot exclude Chopin's participation in this kind of correction.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Errors in FE, Errors in EE, Authentic corrections of FE, Errors of GC

notation: Slurs

Missing markers on sources: A, GC, FE1, FE2, FE3, FEJ, FED, FES, EE1, GE1, GE2, GE3