Page: 
Source: 
p. 8, b. 156-171
p. 1, b. 1-30
p. 2, b. 31-52
p. 3, b. 53-67
p. 4, b. 68-82
p. 5, b. 83-111
p. 6, b. 112-140
p. 7, b. 141-155
p. 8, b. 156-171
p. 9, b. 172-186
p. 10, b. 187-204
GC - Gutmann's copy
Main text
A - Autograph
GC - Gutmann's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FE3 - Corrected impression of FE2
FEJ - Jędrzejewicz copy
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
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Graphic ambiguousness
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No differences
A - Autograph
GC - Gutmann's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FE3 - Corrected impression of FE2
FEJ - Jędrzejewicz copy
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
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copy link PDF GC - Gutmann's copy


  b. 157

Indications in A (→EE,GCGE)

No indications in FE

The lack of sempre forte nad marcato indications results certainly from an oversight by the engraver of FE. He omitted all verbal indications in the line comprising bars 156-160.
The designation sempre forte is placed in the sources around the middle of the bar, so that its beginning falls under the third (AGCGE) or fourth (EE) semiquaver. In the editors' opinion it is probably an instance of Chopin's mannerism of writing markings inside the domain of their application, hence we put the indication at the beginning of the bar in the main text. It bears no practical implication anyway, for the indication basically confirms the dynamics effective in the entire Presto.
#Wa replaced the word forte with the  sign.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Errors in FE

notation: Verbal indications

Missing markers on sources: A, GC, FE1, FE2, FE3, FEJ, FED, FES, EE1, GE1, GE2, GE3