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p. 6, b. 112-140
p. 1, b. 1-30
p. 2, b. 31-52
p. 3, b. 53-67
p. 4, b. 68-82
p. 5, b. 83-111
p. 6, b. 112-140
p. 7, b. 141-155
p. 8, b. 156-171
p. 9, b. 172-186
p. 10, b. 187-204
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GE - German edition
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GE3 - Corrected impression of GE2
EE - English edition
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GC - Gutmann's copy
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FED - Dubois copy
FES - Stirling copy
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  b. 135

f2-f3 in A, FE1GC (contextual interpretation) and FE2 (→FE3) & GE

f2-f3 in EE

In A, the third and fourth chords in the R.H. contain patent mistakes: there is no accidental before the third one, which results in a f2 simultaneously with f3, whereas before the fourth one Chopin wrote a  before the lowest note and a  lowering e3 to e3, which also results in a f2 simultaneously with f3. The sharp before the 4th chord, unnecessary in the current configuration, confirms the assumption resulting from a comparison with analogous bar 110 that Chopin meant f2-f3 in the third chord and f2-f3 in the fourth one. This version, without errors, is present in FE2 (→FE3), corrected by Chopin. In all sources based directly on A, the following inauthentic corrections were performed:

  • in GC, the copyist added a necessary  before the topmost note of the 4th chord (f3) while omitting the  before e3. In GE, the text was revised to the correct version of FE2;
  • in FE1, the  before the lowest note of the 4th chord was omitted, which, however, did not influence the correctness of the notation, which still contained two mistakes;
  • in EE, a  was added before the top note of the 3rd chord, which resulted in a harmonically reasonable version, yet certainly inauthentic in the face of the Chopinesque proofreading of FE2.  

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions, Omissions to cancel alteration, GE revisions, Errors of A, Authentic corrections of FE, Errors repeated in FE

notation: Pitch

Missing markers on sources: A, GC, FE1, FE2, FE3, FEJ, FED, FES, EE1, GE1, GE2, GE3