Shorthand & other
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b. 46
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composition: Op. 38, Ballade in F major
category imprint: Differences between sources issues: Inaccuracies in FE , EE inaccuracies |
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b. 46
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composition: Op. 38, Ballade in F major
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In EE and GE2 (→GE3) there are two "3"s over the repeated a1 crotchets in the R.H. We retain the spcript of A (→GC→GE1) and FE, which does not have to be erroneous (triplet of minims). category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 62
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composition: Op. 38, Ballade in F major
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In A (→GC) the part of the L.H. was written in an abbreviated form as a repetition of bar 61, which generated a number of misunderstandings in first editions – cf. adjacent notes. category imprint: Editorial revisions; Source & stylistic information issues: Abbreviated notation of A |
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b. 158-166
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composition: Op. 38, Ballade in F major
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In A (→GC) bars 158, 160, 162-164 and 166 were briefly written with a repetition mark of the previous bar. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 170
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composition: Op. 38, Ballade in F major
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In the 2nd half of the bar Chopin wrote the R.H. part with two separate voices. In the editors' opinion, the only reason for such a notation were the augmented primes on the 4th and 5th semiquaver. In Chopin's times the modern notation was not yet in use, and the employed method was prone to cause misunderstandings, e.g. in Ballade in G minor, op. 23, bar 170 or in Variations in B category imprint: Editorial revisions; Source & stylistic information |
major op. 12, bar 110. Therefore, we give the original notation only in our transcripts.