Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 38, Ballade in F major
In the 2nd half of the bar Chopin wrote the R.H. part with two separate voices. In the editors' opinion, the only reason for such a notation were the augmented primes on the 4th and 5th semiquaver. In Chopin's times the modern notation was not yet in use, and the employed method was prone to cause misunderstandings, e.g. in Ballade in G minor, op. 23, bar 170 or in Variations in B
major op. 12, bar 110. Therefore, we give the original notation only in our transcripts.
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category imprint: Editorial revisions; Source & stylistic information
notation: Shorthand & other