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Issues : EE revisions
b. 144
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composition: Op. 38, Ballade in F major
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In A (→GC,FE) the category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Errors of GC , Errors repeated in FE |
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b. 145-146
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composition: Op. 38, Ballade in F major
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Breaking the slur in EE was supposedly meant to facilitate the engraving. Numerous arbitrary changes of this kind are to be found in GE1 of the Concerto in F minor Op. 21, e.g. in the 3rd mvt., bars 225-227. category imprint: Differences between sources issues: EE revisions |
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b. 148
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composition: Op. 38, Ballade in F major
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In A the only accidentals in this bar are two sharps: before G category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , FE revisions , Authentic corrections in GC , Errors repeated in EE |
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b. 150
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composition: Op. 38, Ballade in F major
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A (→GC,FE1) has no naturals before the upper notes of the 4th and 12th semiquaver (b1 and b2). This inaccuracy, characteristic of Chopin, was gradually corrected in FE – the first category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Omission of current key accidentals , Authentic corrections of FE , Authentic corrections in GC , Inaccuracies in A |
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b. 151
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composition: Op. 38, Ballade in F major
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A (→FE1) has no accidentals in this bar. Chopin added the overlooked naturals before the 3rd L.H. octave (B-b) in GC (→GE) and FE2 (→FE3). The signs were also added in EE, most probably by analogy with bar 149. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omission of current key accidentals , Errors of A , Authentic corrections of FE , Authentic corrections in GC |