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b. 41-42
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composition: Op. 38, Ballade in F major
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In A, a new slur starts undoubtedly in bar 42. However, this was not understood by FE and EE. The slur was overlooked in GC but was correctly added in GE. category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions , EE inaccuracies , Errors of GC |
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b. 42
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composition: Op. 38, Ballade in F major
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GC overlooked the c quaver in the L.H. GE amended this version by adding an extending dot next to the c crotchet. Cf. bar 28. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Errors of GC |
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b. 42
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composition: Op. 38, Ballade in F major category imprint: Differences between sources issues: GE revisions |
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b. 42-43
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composition: Op. 38, Ballade in F major
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The long accents in these bars were inaccurately reproduced in the editions – in FE both signs are moved to the right, while in EE the sign in bar 42 has the form of a short accent. Moreover, in GE and EE the sign was overlooked in bar 43. category imprint: Differences between sources issues: Long accents |
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b. 43-44
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composition: Op. 38, Ballade in F major
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Despite the distinctly separate slurs in A, both FE and EE have a continuous slur here, possibly under the influence of the R.H. slur. category imprint: Differences between sources issues: EE revisions , FE revisions |
next to f1 at the beginning of the bar. 
