Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 169-170

composition: Op. 38, Ballade in F major

Slurs from 2nd semiquaver in A (→FE,EE)

Slurs from 1st semiquaver in GC (→GE)

..

In A the R.H. slurs were clearly corrected – originally they started from the first semiquaver after the rest, only to have the beginnings deleted, so they ultimately start from the 2nd semiquaver. It is hard to say why such clear corrections were not taken into account in GC (→GE). Similar differences between the sources also occur in bars 173-174.

category imprint: Differences between sources; Source & stylistic information

issues: Corrections in A , Inaccuracies in GC

b. 170

composition: Op. 38, Ballade in F major

 
 
..

We add a slur in the L.H. in bar 170.

category imprint: Editorial revisions

b. 170

composition: Op. 38, Ballade in F major

 
 
..

EE overlooks the topmost component of the E-e octave in the L.H.

category imprint: Differences between sources

issues: Errors in EE

b. 170

composition: Op. 38, Ballade in F major

..

In the main text we omit the redundantly repeated  next to g1 in the 2nd half of bar.

category imprint: Editorial revisions

issues: Cautionary accidentals

b. 170

composition: Op. 38, Ballade in F major

..

In the main text we add a cautionary  next to d2 in the R.H.

category imprint: Editorial revisions