Issues : Errors of A
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b. 138-139
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composition: Op. 38, Ballade in F major
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In the editors' opinion, e2 in A (→GC,FE1,EE), although possible from harmonic point of vue, results probably from Chopin's inadvertence. In any case, the almost certainly authentic correction of FE2 (→FE3) urges to acknowledge e2 as the composer's last intention. Also added was the flat in GE, as were the cautionary naturals before e1-e2 in the next bar in GE2 (→GE3). category imprint: Differences between sources; Editorial revisions issues: GE revisions , Errors of A , Authentic corrections of FE |
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b. 151
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composition: Op. 38, Ballade in F major
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A (→FE1) has no accidentals in this bar. Chopin added the overlooked naturals before the 3rd L.H. octave (B-b) in GC (→GE) and FE2 (→FE3). The signs were also added in EE, most probably by analogy with bar 149. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omission of current key accidentals , Errors of A , Authentic corrections of FE , Authentic corrections in GC |
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b. 159-166
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composition: Op. 38, Ballade in F major
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The slur in the R.H. ends in A in bar 158. It is likely that the composer forgot about the slur's continuation after passing to a new line; the slur was not added in any of the editions. category imprint: Editorial revisions issues: Errors of A , Uncertain slur continuation |
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b. 173
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composition: Op. 38, Ballade in F major
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A (→FE1,EE,GC→GE1→GE2) has a c1-f1 fourth as the 2nd quaver. A comparison with analogous bar 169 points to a highly likely Chopin's error, which is proven by Chopin's proofreading of FE2 (→FE3). The correct version, most probably based on the mentioned analogy, was introduced also in GE3. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Terzverschreibung error , GE revisions , Errors of A , Authentic corrections of FE |
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b. 176
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composition: Op. 38, Ballade in F major
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Chopin omitted a lowering b2 to b2 at the beginning of bar, and a restoring b1 in the 2nd half of bar. An oversight of both the alteration and its canceling may seem improbable but happened to Chopin a few times, e.g. in Etude in F minor, op. 25 no. 2, bar 56. category imprint: Editorial revisions issues: EE revisions , Omissions to cancel alteration , GE revisions , Omission of current key accidentals , Errors of A , Errors repeated in FE |
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