Issues : Errors in EE
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b. 53-55
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composition: Op. 38, Ballade in F major
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The incomplete and different slurring in EE results most probably from inaccuracy and mistakes by the engraver. The two-bar slur in bars 54-55 (and a similar one in bar 56-57) is placed over a figurate passage that resembles a uniform, ascending-descending arpeggio, and encompasses a half of line. It has not much in common either with the slurs in A, or with the real phrasing. category imprint: Differences between sources issues: EE revisions , Errors in EE |
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b. 56
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composition: Op. 38, Ballade in F major
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In EE the second semiquaver in the L.H. has an erroneous e category imprint: Interpretations within context; Differences between sources issues: Errors in EE , Terzverschreibung error |
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b. 59-60
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composition: Op. 38, Ballade in F major
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In A the clearly written category imprint: Differences between sources issues: Errors in FE , Errors in EE , Errors of GC |
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b. 63-67
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composition: Op. 38, Ballade in F major
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In EE and FE crescendo is incomplete: in EE it ends in bar 65, while in FE it lasts only for half of bar 63. These errors probably result from the transition to a new line in FE and to a new page in EE. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Errors in EE |
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b. 95
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composition: Op. 38, Ballade in F major
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In A there is a vertical slur written before the chord with the grace note, indicating an arpeggio. The sign is poorly visible and it was omitted in FE and EE. In GC (→GE) the arpeggio was recreated correctly.
category imprint: Differences between sources issues: Errors in FE , Errors in EE |
instead of c.
in 
