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Issues : EE revisions
b. 46
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composition: Op. 38, Ballade in F major
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In EE and GE2 (→GE3) there are two "3"s over the repeated a1 crotchets in the R.H. We retain the spcript of A (→GC→GE1) and FE, which does not have to be erroneous (triplet of minims). category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 48
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composition: Op. 38, Ballade in F major
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In A (→GC,FE1→FE2) there are no accidentals before the upper notes of the last two sixths, g category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , Accidentals in different octaves , GE revisions , FE revisions , Inaccuracies in A |
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b. 48
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composition: Op. 38, Ballade in F major
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A (→GC,FE) has no category imprint: Source & stylistic information issues: EE revisions , GE revisions |
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b. 50
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composition: Op. 38, Ballade in F major
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A (→GC,FE1→FE2) lacks naturals before b in the L.H. and b2 in the R.H., while category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , FE revisions |
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b. 53-55
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composition: Op. 38, Ballade in F major
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The incomplete and different slurring in EE results most probably from inaccuracy and mistakes by the engraver. The two-bar slur in bars 54-55 (and a similar one in bar 56-57) is placed over a figurate passage that resembles a uniform, ascending-descending arpeggio, and encompasses a half of line. It has not much in common either with the slurs in A, or with the real phrasing. category imprint: Differences between sources issues: EE revisions , Errors in EE |