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Issues : Authentic corrections in GC
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b. 126
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composition: Op. 38, Ballade in F major
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Determining the sound of the third intended by Chopin in the bottom voice of the R.H. is a difficult task. A (→FE,EE) has a b category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections in GC |
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b. 127
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composition: Op. 38, Ballade in F major
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As in analogous bar 102, the rhythm in the upper voice of the R.H. has two versions in the sources. In the main text we present the version of GC (→GE). This time the correction is inaccurate – Chopin added a quaver flag to the g1 note but forgot the rest, as a result of which the bar in the upper voice has only 5 quavers. The obvious mistake was corrected in GE. category imprint: Interpretations within context; Differences between sources issues: Errors resulting from corrections , GE revisions , Authentic corrections in GC |
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b. 129
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composition: Op. 38, Ballade in F major
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In the main text, we include a cautionery category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections in GC |
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b. 148
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composition: Op. 38, Ballade in F major
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In GC the topmost note in the 1st semiquaver in the R.H. was rewritten – most probably Chopin changed e1, copied from A, to f1 (Chopin added few accindentals, too). However, we have doubts whether this correction may be considered as final. A number of arguments points to Chopin's haste at the time of controlling GC – cf. bars 126 and 202-204 – hence it cannot be excluded that in the discussed place the change was also not thoroughly considered. The accents over f1 four semiquavers before and later seem to be better adjusted to the version with e1. In this situation in the main text we give exactly this version, written by Chopin in A and accepted at the time of proofreading FE. category imprint: Graphic ambiguousness; Differences between sources issues: Authentic corrections in GC |
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b. 148
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composition: Op. 38, Ballade in F major
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In A the only accidentals in this bar are two sharps: before G category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , FE revisions , Authentic corrections in GC , Errors repeated in EE |
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