Issues : GE revisions
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b. 176
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composition: Op. 38, Ballade in F major
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Chopin omitted a category imprint: Editorial revisions issues: EE revisions , Omissions to cancel alteration , GE revisions , Omission of current key accidentals , Errors of A , Errors repeated in FE |
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b. 178
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composition: Op. 38, Ballade in F major
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In A (→GC,FE1→FE2) there is no category imprint: Editorial revisions issues: EE revisions , Accidentals in different octaves , GE revisions , FE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 181-184
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composition: Op. 38, Ballade in F major
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As in analogous bars 177-180, the three R.H. slurs were written into GC (→GE) almost certainly by Chopin. In GE1 the slur in bar 183, last in the line, reaches only the last semiquaver even though the next bar holds its ending. The flaw was rectified in GE2 (→GE3). category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Inaccuracies in GE , GE revisions , Authentic corrections in GC , Uncertain slur continuation |
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b. 183-184
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composition: Op. 38, Ballade in F major
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The ties sustaining the sixth b-g category imprint: Differences between sources issues: Errors in EE , GE revisions , Errors of GC |
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b. 184
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composition: Op. 38, Ballade in F major
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In GE1 (→GE2) the top note of the first L.H. quaver is an erroneous c instead of e. The mistake was corrected in GE3. category imprint: Interpretations within context; Differences between sources issues: Errors in GE , Terzverschreibung error , GE revisions |
lowering b2 to b
2 at the beginning of bar, and a 
restoring b1 in the 2nd half of bar. An oversight of both the alteration and its canceling may seem improbable but happened to Chopin a few times, e.g. in Etude in F minor, op. 25 no. 2, 
raising f1 to f
1 in bar 178 and f to f
