Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 38, Ballade in F major
In A (→GC,EE) the middle note a1 on the 2nd beat of the R.H. is assigned to the middle voice. Recognising such division into voices, the revisers of FE and GE shortened the value of this note by deleting the extending dot. No repetition of a1 on the last quaver (cf. bar 94) indicates rather the necessity to sustain this note to the end of the bar, in accordance with the notation of A. Therefore, in the main text we correct the illogical in this situation division into voices, following similar bars 38 and 40. At the time of writing this chord, Chopin could have thought about bar 94, which could have caused the mistake.
Compare the passage in the sources »
category imprint: Differences between sources
issues: GE revisions, FE revisions, Inaccuracies in A
notation: Rhythm
