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Issues : Errors in FE
b. 237
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composition: Op. 42, Waltz in A♭ major
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In FE0 (→FE,FEG→GE1) the change of the clef was overlooked. It is possible that the engraver wrote here a quaver rest by mistake instead of the required bass clef, as in FE the 3rd chord in the L.H. is a crotchet (see: the previous note). The clef was introduced already in GE2 (→GE3), EE also has the correct notation. category imprint: Differences between sources issues: Errors in FE , Errors in GE |
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b. 237
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composition: Op. 42, Waltz in A♭ major
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There are no accidentals before the 2nd chord of the bar in FE0 (→FEG). This patent inaccuracy was corrected in FE1 (partially, as only a category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Authentic corrections of FE , Authentic corrections of GE , Authentic corrections of EE |
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b. 253
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composition: Op. 42, Waltz in A♭ major
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In FE0 (→FE,FEG) there is no category imprint: Differences between sources issues: Errors in FE , Accidentals in different octaves |
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b. 256
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composition: Op. 42, Waltz in A♭ major
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The version of FE0 (→EE) with g category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Errors in FE , Authentic corrections of FE , Annotations in FEJ , Authentic corrections of GE |
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b. 281
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composition: Op. 42, Waltz in A♭ major
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Both source versions of the 4th quaver may be authentic, yet each of them may be erroneous:
According to us, there are a few more arguments for a single note in this place, yet they are not conclusive. Therefore, in the main text we suggest a variant solution. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Authentic corrections of EE |