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Issues : Authentic corrections of GE
b. 237
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composition: Op. 42, Waltz in A♭ major
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It is not clear what Chopin wanted to underline with the category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Errors in GE , Authentic corrections of FE , Authentic corrections of GE , Centrally placed marks , Authentic corrections of EE |
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b. 237
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composition: Op. 42, Waltz in A♭ major
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There are no accidentals before the 2nd chord of the bar in FE0 (→FEG). This patent inaccuracy was corrected in FE1 (partially, as only a category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Authentic corrections of FE , Authentic corrections of GE , Authentic corrections of EE |
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b. 239
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composition: Op. 42, Waltz in A♭ major
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Chopin added the indication leggiero in FEG (→GE) and in the base text to EE, whereas category imprint: Differences between sources issues: Authentic corrections of FE , Authentic corrections of GE , Authentic corrections of EE |
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b. 244
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composition: Op. 42, Waltz in A♭ major
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The wedge written by Chopin in FEG was not included in GE, which is most probably a result of the engraver's inattention. As it is also absent in FE and EE, we leave the inclusion of this indication at the discretion of the performer. category imprint: Differences between sources; Corrections & alterations issues: Errors in GE , Authentic corrections of GE |
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b. 248-249
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composition: Op. 42, Waltz in A♭ major
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In FE1 the crescendo indication was placed – most probably after the proofreading entry of Chopin – already in bar 238. In the main text we adopt the version of FEG (→GE) and EE. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of GE , Authentic corrections of EE |