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Issues : Authentic corrections of FE
b. 256
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composition: Op. 42, Waltz in A♭ major
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The version of FE0 (→EE) with g category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Errors in FE , Authentic corrections of FE , Annotations in FEJ , Authentic corrections of GE |
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b. 260
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composition: Op. 42, Waltz in A♭ major
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The original version of last two chords, conveyed by FE0 (→FEG→GE1→GE2), was completed by Chopin with a category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Authentic corrections of FE , Authentic corrections of EE |
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b. 261
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composition: Op. 42, Waltz in A♭ major
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The pedalling in this bar was written by Chopin only in the proofs of FE. Similarly in bars 273-276. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 273-276
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composition: Op. 42, Waltz in A♭ major
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As in bar 261 Chopin wrote the pedalling in those bars only in the proofs of FE. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 276-277
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composition: Op. 42, Waltz in A♭ major
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According to us, the accel. indication written by Chopin in FEG should be understood as "over the 1st quaver in bar 277" and not "from the last quaver in bar 276". This is how it was understood in GE and this is the interpretation we adopt in the main text. The entry underlying the version of FE must have looked similarly. We develop the abbreviation used by Chopin, which is used less frequently nowadays; GE and EE already include the full indication. category imprint: Differences between sources issues: EE revisions , GE revisions , Authentic corrections of FE , Authentic corrections of GE , Authentic corrections of EE |