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Issues : Annotations in FED
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b. 212
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composition: Op. 42, Waltz in A♭ major
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The sign added in FED, a vertical line, probably underlines the necessity to separate the ending unisono phrase from the following refrain. category imprint: Graphic ambiguousness; Differences between sources |
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b. 217
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composition: Op. 42, Waltz in A♭ major
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In the entire bar FE0 (→FE,FEG) has only two cautionary accidentals: a category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Accidentals in different octaves , GE revisions , Omission of current key accidentals |
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b. 218-219
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composition: Op. 42, Waltz in A♭ major
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In both bars in FE0 (→FE,FEG) there is not any category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , GE revisions , Omission of current key accidentals , Annotations in FEJ |
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b. 243-244
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composition: Op. 42, Waltz in A♭ major
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In FED Chopin marked in an abbreviated manner an extension of the figuration with an octave (in pencil). A similar solution can be found in the Etude in F minor, Op. 25 No. 2, bar 67, the Nocturnes in F category imprint: Differences between sources; Source & stylistic information issues: Annotations in teaching copies , Annotations in FED , Authentic post-publication changes and variants |
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b. 283-284
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composition: Op. 42, Waltz in A♭ major
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The signs written in FED under the 4th quaver in bar 283 and under the 2nd and 6th quavers in bar 284 most probably indicate a more convenient performance of the passage consisting in taking these notes over by the L.H. It is not entirely clear what it exactly is – according to us, they are additional quaver flags (cf. the Nocturne in C category imprint: Interpretations within context; Differences between sources |
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